Necronomicon: The Dawning of Darkness

My honest first impression of Necronomicon: The Dawning of Darkness is that it wants to be a creepy, slow-burn Lovecraft mystery, and for about twenty minutes it actually succeeds. You play William Stanton, a quiet scholar in 1927 Providence, Rhode Island, whose childhood friend turns up at his door in a panic, shoves a mysterious pyramid into his hands, and vanishes. From there the story pulls you into occult rituals, underground dungeons, and a location the game calls the City of the Ancients. The bones of a good Lovecraftian adventure are all here, and the atmospheric environments, complete with dripping water, howling coastal wind, and shadowy tunnels, do a reasonable job of setting a mood that actually holds up. The problems start almost immediately after the mood is established. This is a strictly linear point-and-click where you can only perform a handful of minor actions out of order, and the puzzle logic ranges from opaque to openly hostile. Pitch-dark maze sections offer no mapping option, are riddled with death traps, and some sections are timed with almost no clues to guide you. The inventory document system, which gives you 18 lore files to consult, hints at the Cthulhu Mythos in flavourful ways, but that Lovecraftian lore rarely connects in any meaningful way to what you actually need to do next. Most players in the Steam community report reaching brick walls with no idea what to do, and a walkthrough becomes less of a helper and more of a co-pilot pretty quickly. The Steam version specifically carries extra baggage. A long-standing bug strips out a major summoning cutscene that is critical to understanding the story, and a separate issue locks the alchemy kit menu near the end of the game, making it impossible to finish without applying a community-sourced save file fix. Workarounds exist in the community guides, but having to patch your own purchase just to see the ending is a significant ask. The character animations have aged badly even by early-2000s standards, with dead-eyed models that contrast strangely against the genuinely moody pre-rendered backgrounds. There is something here for a particular type of player: someone who has deep affection for early-2000s European adventure games, can tolerate trial-and-error design as a period-accurate quirk rather than a flaw, and wants Lovecraft atmosphere over Lovecraft substance. The two possible endings add mild replay curiosity, and the underground sections do manage some genuinely strange geometry in the final act. But if you are coming to this expecting the Cthulhu Mythos to be used with any depth, or you have low tolerance for pixel-hunting and logic-free maze navigation, this will be a frustrating few hours. Darkness Within: In Pursuit of Loath Nolder is the more competent Lovecraftian point-and-click on Steam if you want the genre done properly. Alex, Scout Team