Cursed Castilla (Maldita Castilla EX)

I keep coming back to the fact that one person made this. One developer, Locomalito, sat down with the myths of medieval Castile, a stack of arcade PCB memories, and produced something that critics are still referencing years after release. That kind of handcraft has weight. Cursed Castilla is a side-scrolling action platformer in the Ghosts 'n Goblins lineage, but the EX version sold here is the expanded commercial release, adding two full stages, new bosses, new weapons, and over 50 chiptune tracks composed by Gryzor87 on an emulated YM2203 sound chip. The result is eight stages, 48-plus enemy types, and 19 bosses rooted almost entirely in Spanish and European folklore rather than standard fantasy tropes. Fighting a mechanised Don Quixote is not something you find in other games. You play as Don Ramiro, knight of King Alfonso VI, sent to purge the cursed lands of Tolomera del Rey. The control scheme is exactly what you remember from the era: run, jump, throw your weapon. What gives the game its texture is the weapon variety and how the game handles it. Chests cycle through your available options before you commit, so choosing between the spread-shot daggers, the arc of the axe, the boomerang sickle, the bolas, or the holy fire grenade is a deliberate tactical decision rather than an accident. Sub-items add another layer: double-jump boots, a single-hit shield, a fairy companion that attacks alongside you. The fixed chest locations reward repeat runs the same way classic arcade games rewarded the kid who memorised every screen. The difficulty is real and worth naming plainly. Three hits kill you. Spike floors kill you in one touch regardless of health. The endgame stacks three boss fights in sequence and the platforming sections in the windmill and aqueduct stages demand genuine precision. But the game is almost always fair. Checkpoints sit at every scene transition, continues are unlimited, and the enemy patterns, once learned, are consistent. The community consensus matches my read of the design: this punishes impatience, not the player. Players who find the bad ending on their first run tend to come back for the true final chapter, which requires finding all five of Moura's Tears across the stages without continuing too many times. That hidden structure is the game's real replayability engine, alongside four distinct endings total. Where Cursed Castilla EX earns its Metacritic 81 honestly is in the feel of the thing: the pixel-perfect environments rendered at 4:3 with optional CRT scanline filters, the "ROM OK" boot screen, the three-character high score table, the codex that illustrates each folklore creature in the style of the Amadis de Gaula romances. None of that is accidental. The one caveat worth flagging is that some PC players have reported occasional input lag and framerate dips in specific sections, a known friction point the post-launch updates have partially addressed with improved controller support, though the community notes it can still surface. At two to four hours per run depending on skill, the runtime is honest about what it is: an arcade game, not an open world. It knows exactly when to end. This is the kind of game I want more people to find. Not because it reinvents anything, but because the intentionality behind every sprite, every boss pattern, every folklore reference is evident in a way that most retro-inspired releases never achieve. If you bounced off it once due to the difficulty, the codex and the weapon cycling alone are worth another attempt with a fresh perspective.

Kai · Scout Team

Indie & narrative

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