Call of the Sea

Call of the Sea is a first-person puzzle adventure set in the 1930s, casting you as Norah, a woman driven by a mysterious illness and a missing husband to track down an expedition that vanished on a remote Pacific island. Out of the Blue Games is a small Madrid studio, and this was their debut release. The scale is modest. The ambition is not. The game is unambiguously Lovecraftian in the best sense: less tentacle horror, more slow cosmic dread threaded through architecture that shouldn't exist. Each of the game's six chapters drops you into a distinct environment - base camp, ruins, lagoon, observatory, jungle temple - and asks you to read the world before you can solve it. Norah's journal fills up with her own notes and sketches as you piece things together, and that mechanic alone sets the tone. You're not hunting waypoints. You're thinking. The puzzles themselves range from cipher-style symbol decoding to mechanical contraption puzzles, and they almost always feel earned. The logic is internal and consistent, which is rarer than it should be in this genre. What works particularly well is Norah as a protagonist. She's not a blank avatar. She reacts to what she finds, she has opinions, she's funny and frightened in equal measure, and her narration - delivered with quiet warmth - carries the story between set pieces without ever feeling like an audio-log substitute for real writing. The voice performance is strong. The soundtrack is equally considered: a mix of jazz-inflected strings and unsettling ambient tones that shifts register chapter by chapter without ever calling attention to itself. The island looks extraordinary for a small production, saturated and tactile in ways that make you want to stand still and look. The honest caveats: the game runs roughly five to seven hours at a moderate pace, and some players will find certain puzzles underclued on a first pass. The final chapter accelerates in ways that feel slightly compressed compared to the breathing room of earlier sections. And if you come in expecting combat, exploration freedom, or branching choices, you will be disappointed. This is a linear, contemplative experience. The path is fixed. The payoff is emotional rather than systemic. For what it is, though - a handcrafted debut puzzler with a genuine narrative arc, a heroine worth spending a weekend with, and a climax that actually lands - Call of the Sea delivers something a lot of bigger games fail to: a complete feeling. It knows exactly when to end. That's worth more than people give it credit for. Kai, Scout Team