Project Nightmares Case 36: Henrietta Kedward

My first instinct when I loaded this was to check the credits. Two people made this. Two. That context colours everything that follows, because what NC Studio pulled off with Project Nightmares Case 36: Henrietta Kedward is the kind of handcrafted atmospheric horror that bigger studios spend twenty times the budget trying to manufacture and usually fail at. You are a psychically-gifted patient strapped into a submerged tank, your mind forcibly linked to a cursed doll connected to a malevolent old woman named Henrietta Kedward. From that premise the game drops you into labyrinthine, candle-lit hallways and lets the dark do its work. The core survival loop is built around light and stealth rather than combat. There is no fighting here. You carry a candle that melts with use and snuffs out if you run, and you can hold a maximum of three at once. Lose your flame in the wrong room and something comes for you. That single mechanic generates a quiet, persistent tension that most horror games chase with elaborate monster AI and never quite catch. Scattered across the levels are photographs to find, shape-matching puzzles to solve, and an optical lens that reveals hidden messages scrawled into the world. The procedural layer reshuffles item placement on each run, so the fear of the unknown stays alive longer than it would in a fixed layout. Later the game hands you a flashlight, which removes the candle-management anxiety entirely, and the atmosphere noticeably loosens as a result. Where things get genuinely divisive is the candle-in-your-face camera design. Your character holds the light source close to their face, which means a significant portion of the screen is occupied by a flickering wax stub rather than the world beyond it. The intention is clearly immersive, and the candle mechanics around grip-adjusting and wax-pouring are genuinely clever in concept. But the execution means the depth of field rarely reaches far enough to read the environment properly, and that frustration compounds when death resets your progress. The game does not hold back on killing you. Henrietta herself makes close-up appearances, books fly across your path without warning, and quick-time events demand fast reflexes in moments you could not have anticipated. Some players will read this as atmosphere dialled to eleven. Others will call it unfair. Honestly, both camps are right. The sound design is the unsung hero. Headphones are close to mandatory. The footstep patterns of the entity, the way ambient audio shifts when something is near, the layered environmental noise of an old house breathing in the dark, it all reads as deeply intentional work from people who understand that horror lives in the ear before the eye. The voice acting is muted and a little stiff, which critics rightly noted, but it is a small blemish on a soundscape that otherwise carries serious weight. Some players have also hit bugs that forced save restarts, so do keep that in mind before a long session. This is a short game, a few hours at most, and it knows that. It does not pad itself out or overstay its welcome. For players who want a slow-burning, investigation-led horror experience with genuine craft behind it, Case 36 punches well above its budget. For players who need polish, combat agency, and clear sightlines, it will be a friction-heavy few hours. I land firmly in the former camp. There is something here worth sitting with. Kai, Scout Team