Paper Shakespeare: Stick Julius Caesar (with a dagger)

I have a soft spot for the games that could have been a flash animation but chose to be something slightly more considered instead, and this is absolutely one of those games. Stegalosaurus Game Development, a one-team outfit with a catalog full of Shakespeare-flavored absurdism, built this as a short-form visual novel wrapped around the post-assassination chaos of Julius Caesar. The premise is exactly what the title promises: stick figures, togas, daggers, and the Roman Senate rendered in a deliberately lo-fi hand-drawn aesthetic that commits to its own joke with disarming sincerity. The structure splits into two modes. Adventure Mode puts you in the driver's seat after Caesar hits the floor. You pick political allies, manage advisors with different temperaments, and work against a clock to decide the fate of Rome through a series of branching conversation choices. There are 14 Steam achievements tied to this, and the community discussions suggest some of them require fairly specific path decisions, so completionists will get more than one pass out of it. The second mode, called Not Shakespeare Mode, strips away interactivity entirely and lets you sit with the story as a passive retelling in a loosely modernized English. It is less a game and more a five-minute puppet show, but it lands better than it has any right to. What Stegalosaurus does well across its catalog, and this game is no exception, is lean into what TV Tropes generously describes as intentional stylistic suck deployed for comedic effect. The writing is dry in a way that suits Shakespeare's political cynicism surprisingly well. The jokes about power, betrayal, and the mechanics of public opinion feel weirdly current without the game ever winking too hard at you about it. The minimalist hand-drawn visuals and a spare, understated soundscape hold the tone steady throughout. The honest caveats: this is genuinely short. Even completionists chasing all 14 achievements are looking at a couple of hours at most, and the base playthrough in either mode wraps up in well under an hour. There are also reports in the community forums of script errors surfacing in later acts, suggesting the polish is functional but not obsessive. If you want a narrative adventure with mechanical depth, a sprawling world, or any form of action, this game is the wrong address entirely. Where it earns its place is as a low-stakes, high-wit curiosity for people who appreciate literary parody done with genuine affection for the source material. It is the kind of game you finish on a lunch break and think about a little longer than you expected to. For the tier it sits in, that is not nothing. Kai, Scout Team

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