Mordheim: City of the Damned

Mordheim: City of the Damned is Rogue Factor's adaptation of Games Workshop's cult tabletop skirmish game, and it carries that source material's mean-spirited soul faithfully, sometimes too faithfully for its own good. This is a turn-based tactical RPG where you command a small warband through the rubble of Mordheim, a city shattered by a twin-tailed comet and soaked in something called Wyrdstone, which everyone wants and which will absolutely ruin you in the process. The tone is grimdark without apology, the architecture is gothic and crumbling, and the game is genuinely happy to watch your favorite soldier lose an eye, a leg, or their nerve entirely after a bad skirmish. The faction and warband variety is one of the stronger hooks here. You can field the devout Sisters of Sigmar, the mutant-ridden Skaven, the merciless Cult of the Possessed, or the mercenary Human warbands, and each plays with meaningfully different unit rosters and upgrade paths. Character progression leans into the tabletop roots: your heroes gain skills between missions, but injuries from failed engagements pile up as permanent debuffs, and a dead hero is gone. That permanent wound system creates genuine attachment to your roster, and also genuine rage when a veteran warrior trips a dodge roll and bleeds out in a side alley. Build variety holds up reasonably well across the campaign, rewarding players who think carefully about stat allocation and skill synergies rather than just upgrading whatever the game suggests. Combat is where the game earns its mixed reputation. The action-point system, cover mechanics, and line-of-sight rules all work and reward patient, methodical players. But the AI is inconsistent, sometimes clever and aggressive, sometimes wandering into crossfire like it forgot what it was doing. Mission variety is thinner than you would hope after the first ten hours, and the campaign structure leans on repetition harder than it should. The filler-quest problem is real: you will replay similar objectives in similar ruined courtyards more times than the narrative justifies, mostly because the XP loop demands it. If you are the kind of player who bounces off grinding for incremental stat bumps, this will wear on you. The writing and worldbuilding do not reach the heights that Warhammer Fantasy lore can hit at its best, but the atmosphere is thick and committed. Loading screen lore entries and mission briefings flesh out the city's history without being exhausting about it. There is no sprawling dialogue system here, no branching conversation tree that rewards re-reads, so if you are coming from CRPG territory hoping for narrative payoff in that sense, recalibrate. The reward is systemic storytelling: the moment your scarred one-eyed champion survives a four-versus-one ambush because you positioned him correctly and prayed to the dice gods is genuinely memorable in a way that scripted cutscenes rarely are. At its best, Mordheim is a tight, unforgiving tactical experience that respects the tension of its source material and punishes overconfidence in satisfying ways. At its worst, it is a repetitive grind that makes you resent the campaign structure instead of the enemy warband. It suits players who love XCOM-style permadeath stakes, Warhammer lore, or tabletop skirmish games more than it suits CRPG fans looking for story-first experiences. Go in knowing what it is, and it has real teeth. Monika, Scout Team