Little Lighthouse of Horror

I went into this one knowing the Flannan Isles story - three lighthouse keepers vanishing from a remote Scottish rock in 1900, no trace, no explanation - and the idea of a solo indie developer turning that historical wound into a pixel art survival horror felt genuinely exciting. What Codiwans has built is a short, focused, often unsettling piece of work that knows exactly the emotional register it wants to hit, even if the mechanical layer underneath it sometimes wobbles. You play as Lawrence, a keeper assigned a six-week rotation on a notoriously cursed island. The core loop is resource juggling with a creeping supernatural layer on top. Food goes on the stove when you have ingredients, sanity recovers when Lawrence reads, warmth requires standing near the fireplace. The lighthouse itself demands constant attention: fuel the lamp for dark and stormy nights, ring the bells during fog to ward passing ships off the rocks, use the flag system to order resupply before you run out of food, oil, or wood. None of these tasks are individually demanding, but their combined pressure escalates steadily across the six-week span, and the game is genuinely good at layering in strange occurrences just as you have settled into a routine. The lower Lawrence's sanity drops, the stranger his world becomes - visions blur the edges of things, sounds shift, and the darkness outside the glass starts feeling intentional rather than indifferent. The presentation is the clearest success here. The pixel art uses a muted metallic palette with near-monochrome restraint, and the occasional flash of red lands with real impact. Cutscenes shift visual style entirely, which gives them a weight the quieter scenes earn from understatement. The soundscape does the heaviest lifting of all - creaking floorboards, distant seagulls, a score that knows to stay in the periphery until a tense moment asks it to surface. For a one-person project, the atmosphere is remarkably coherent. Where the experience shows its seams is in the mechanical implementation. The stat management can feel rigid enough that immersion breaks into arithmetic - you are calculating drain rates rather than feeling Lawrence's desperation. A save system that leans on checkpoints rather than manual saves has frustrated some players, and there is a known bug where the game language reverts to Spanish on certain autosave loads. Controller button prompts also do not update from keyboard icons, which is a minor but persistent annoyance. Some runs end before the psychological horror even has a chance to fully surface, because starvation or a fuel shortage beats any ghost to the finish line. The multiple endings are a genuine draw for a second or third pass, but whether you make it that far depends on your tolerance for restart loops with slim early-game tutorialization. For fans of slow-burn atmospheric work - the kind of horror that Mouthwashing or FAITH: The Unholy Trinity deal in - this sits comfortably in that company, even at a smaller scale. It is a short experience, the kind that knows roughly when to end, and the real mystery of what happened to the previous keepers is compelling enough to pull you through the rougher stretches. Just go in expecting an imperfect, handcrafted thing with genuine soul rather than a polished survival sim. Kai, Scout Team

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