Kena: Bridge of Spirits

My first hour with Kena felt like wandering into something that had no business existing at the scale it does. Ember Lab started life as an animation studio, and you feel that lineage in every frame. The forest breathes. The Rot, those small dark spirit companions that accumulate around Kena as you explore, fidget and wave and tumble with an expressiveness that most studios with ten times the headcount would struggle to animate. It is genuinely stunning work, and the gamelan-inflected soundtrack reinforces that sense of stepping into a world that sits just slightly sideways from anything familiar. The structure is a semi-open action-adventure spread across several distinct regions, each anchored to a spirit whose unresolved grief is poisoning the land. You gather Rot companions by pulsing near glowing rocks and hidden corners, and collecting more of them raises your Rot Level, which unlocks new combat skills. The core toolkit includes Kena's staff for light and heavy attacks, a spirit shield for blocking and parrying, a Spirit Bow that doubles as a traversal tool via a hookshot-style flower mechanic, and the Rot-fuelled special moves: the Rot Hammer for area-of-effect crowd clear, the Rot Arrow for punching through multiple enemies, and the Courage-based Rot Actions that let you stun or overwhelm tougher targets. The Parry Counter in particular rewards timing and adds a satisfying rhythm to the better encounters. Where the game earns genuine respect is in its boss fights. Standard traversal and puzzle sections are straightforward, often comfortably so, and the collectible hunts follow predictable rhythms. But the bosses are a different conversation. They escalate in aggression, demand that you cycle between bow, staff, and Rot abilities, and the difficulty jump can feel abrupt. The tuning between difficulty settings has been noted as uneven by most players, swinging between punishing and trivial without much middle ground. It is a real rough edge on an otherwise polished product. Mouse and keyboard controls also carry some awkwardness, particularly with the Forest Tear ability, so a controller is genuinely the better choice here. The story handles grief with a light and generous hand. It does not overexplain its metaphors about spirits clinging to the mortal world, and the cutscenes carry real emotional weight even when the pacing in the final act rushes through moments that deserved more room. Characters are not deeply written, but the world they inhabit is so carefully constructed that their silences land anyway. At ten to fifteen hours for a thorough playthrough, the game knows when to close the chapter, and that restraint is its own kind of craft. This is the kind of project I want to exist in games. A small team, a clear creative vision, no padding, and a soundscape that I still think about. The gameplay will not challenge someone who grew up on action-adventure depth, but if you approach it as an authored experience with a remarkable aesthetic and some genuinely satisfying combat peaks, it more than earns its place. Kai, Scout Team