I Am Dead

I spent my time with I Am Dead half expecting a melancholy slog and wound up genuinely moved by the sock drawer in a lighthouse yoga retreat. That's the trick Hollow Ponds pulls off here: a game about six dead people on a small British island that treats mortality not as dread but as a kind of warm inventory audit of everything a life touched. You play Morris Lupton, a recently deceased museum curator reunited with his also-dead dog Sparky, tasked with finding a new custodial spirit to stop the island's volcano from erupting. The premise sounds thin, but the world it opens up is surprisingly dense with personality. The central mechanic is the one worth paying for. Morris can peer inside any object in the environment, rotating and slicing through it cross-section by cross-section like a supernatural MRI. Dig into a rusted toolbox and find a hidden Grenkin spirit blob crouched between a wrench and a paint tin. Align a scrambled memory image and hear a resident of Shelmerston recall the person whose ghost you're trying to locate. The act of slicing through the world is genuinely novel and, crucially, it never overstays its purpose. Each of the six ghost-hunts has its own chapter set in a distinct location across the island, from a lighthouse converted into a yoga retreat to the town museum where Morris once worked. You learn about people like Pete, whose hard exterior hid quiet kindness, and Valerie, the daughter of a beloved painter who built the island's artist commune. The writing occasionally tips into twee, and a few critics were right to note it, but the voice performances carry the softer moments with enough conviction to make them land. Fairly criticised structural repetition is worth flagging clearly: each chapter follows the same rhythm of finding story mementos, locating Grenkins by matching a silhouette to the right object slice, and solving Mr. Whitstable's pun-heavy riddles before Sparky rounds up the ghost's essence. The loop does not evolve mechanically. If you need escalating complexity or a reward system with real teeth, this is not your game. The optional riddles are the sharpest content here, asking for lateral thinking and thorough exploration, but they sit awkwardly separated from the main story rather than woven into it. The controls take a few minutes to feel natural, particularly when targeting small objects, though this smooths out well before the halfway point. What nobody warned me about adequately is the soundtrack. Composer Vic Mars layered woodwinds, piano, acoustic guitar, and strings into something that feels less like background music and more like the island breathing. The cel-shaded 3D visuals and stylised 2D portrait illustrations are a picture-book pairing that suits the tone exactly. The whole package runs three to five hours depending on collectible ambition, and it knows when to end, which is rarer than it should be. Players who cannot travel back to prior chapters after completing them should note that Grenkins and riddles are missable, so slow, thorough players will get more out of it than those who rush. Steam user reviews sit at 81 percent positive, and OpenCritic reported 83 percent of critics recommending it, both scores reflecting a game that lands for its intended audience while leaving genre-agnostic players cold. Kai, Scout Team