GARAGE: Bad Trip

GARAGE: Bad Trip is a top-down twin-stick shooter that wears its influences loudly and without apology. Developer Zombie Dynamics built something that feels like a forgotten 1980s straight-to-VHS tape, complete with scan-line filters, a synth-drenched soundtrack, and a plot thin enough to fit on a cassette label: Butch, a drug dealer, wakes up in a parking garage overrun by the undead and needs to fight his way out to save a girl. That is the whole premise, and it commits to it completely. The aesthetic is where GARAGE earns its most honest praise. The pixel art is dense and deliberately grimy, with pools of neon light cutting through corridors that feel genuinely claustrophobic. Environments move from the titular garage through sewers, labs, and urban wastelands, each layered with rotting detail. The soundtrack does real work here - it pulses with that particular brand of low-budget horror synth that makes everything feel slightly damp and dangerous. If you have ever loved the mood of an old Carpenter score or a forgotten genre tape, you will recognize what this is reaching for, and it mostly gets there. Combat is loud and fairly simple. Butch cycles through weapons including firearms, melee options, and improvised tools, and most encounters involve crowd control at close range. Enemy variety is present but not deep, and the bosses arrive with enough spectacle to punctuate the pace. The controls feel workable with a gamepad and somewhat awkward on keyboard and mouse, which matters in tighter corridors where precise movement counts. Mixed reviews from players often land on this friction, alongside a difficulty curve that spikes unevenly in later sections. The game does not hold your hand and occasionally punishes you in ways that feel more arbitrary than intentional. At roughly four to five hours for a single run, GARAGE knows its length. It does not overstay its welcome, which is something I genuinely respect in a game like this. The opening moves slowly - Butch is sluggish early, resources are scarce, and the tone is more dread than action. If you push through that first hour, the pacing opens up and the game finds its rhythm. Some players will bounce off that slow burn, and looking at the review curve, a number clearly did. But if you read that slow opening as atmosphere-building rather than poor design, the back half rewards you. This is not a game for everyone. It is for players who appreciate handcrafted, mood-first indie work, who will forgive control roughness if the aesthetic payoff is strong enough, and who enjoy the specific energy of a short, focused experience built around a single weird vision. GARAGE: Bad Trip is imperfect and proud of it, which is exactly what B-movie love letters are supposed to be. Kai, Scout Team