Exit the Gungeon

Exit the Gungeon is a spin-off to Enter the Gungeon, and it makes its intentions clear from the first few seconds: this is not a sequel, not a full meal, but a snack with real bite. Where the original had you descending floor by floor with time to breathe and plan, Exit flips the map and the philosophy. You are climbing upward, the floor is collapsing beneath you, and the game is constantly, aggressively changing the weapon in your hand. That last part is the core mechanic and the source of most of the game's controversy. The weapon-swap system is genuinely strange. Rather than choosing a loadout and committing to it, the game cycles through your available guns on a constant timer, handing you something new every few seconds whether you want it or not. In theory this forces adaptability and keeps the chaos alive. In practice it can feel deeply unfair, especially when you're handed a short-range shotgun right as a bullet-hell wave fills the screen. Fans of the original who loved mastering specific weapon synergies will feel that joy stripped away here. That said, once you accept Exit on its own terms, there is something genuinely satisfying about the rhythm that emerges. Each of the four original Gungeoneers plays differently, and the tight, almost platformer-style arenas do reward reading enemy patterns over raw firepower. The game is short. A run takes somewhere between fifteen and forty minutes depending on skill level, and the full unlock loop is measured in hours rather than dozens of hours. For a certain kind of player, the one who wants a lunchbreak roguelite that respects their time, this is a feature. For someone hoping for the depth of Enter the Gungeon, the brevity reads as emptiness. The bullet-hell DNA is still intact, the animations remain crisp and full of personality, and the soundtrack keeps that same slightly grimy, synth-heavy energy the series does so well. There is craft here. It just isn't distributed generously. The Steam review score sitting at mixed is honest. This is not a bad game dressed up in a beloved franchise's clothes. It is a genuinely experimental side project that makes bold structural choices and lands some of them imperfectly. The Metacritic score around 67 reflects the same tension: critics who judged it as Enter the Gungeon 2 found it wanting; those who took it as a compact arcade challenge found more to like. I lean toward the latter reading. Exit the Gungeon knows what it is. A small climb, strange and quick, with the house style still intact and a few ideas nobody else tried. Whether that is enough depends entirely on what you came looking for. Kai, Scout Team