Emily is Away <3

Emily is Away <3 is the third entry in Kyle Seeley's lo-fi visual novel series, and this one trades the AIM-window nostalgia of the earlier games for a pitch-perfect recreation of early Facebook - here called Facenook. You scroll a fake newsfeed, send friend requests, poke people, post on walls, and watch your senior year social life unfold through the kind of cringe-worthy status updates that defined 2008. If you lived through that era, the UI alone will do something uncomfortable to your memory. Mechanically, the game is built around dialogue choices and the careful curation of your own profile. You pick your interests, your profile picture, your status updates, and those small decisions ripple outward into how characters perceive you. It is not a deep RPG in the traditional sense - no skill trees, no combat, no inventory. The "RPG" label on Steam is generous. What it actually is: a choice-driven narrative where the choices feel social rather than tactical. You are managing impressions, not stats. The writing captures the specific awkward register of teenage internet communication well enough that some exchanges will genuinely make you wince. The story centers on your relationships with Emily, Evelyn, and a small cast of high school friends navigating that weird liminal space between senior year and whatever comes after. The emotional beats land better than they have any right to, partly because the format does real work. Reading someone's public wall post versus their private message carries different weight. Watching a character's profile picture change mid-playthrough communicates more than a cutscene would. Seeley understands that the medium is the message here, and the constraint of the fake social media UI becomes the game's most effective storytelling tool. Where it stumbles is scope. A full playthrough runs about two to three hours, and while there are multiple endings driven by your choices, the branch points are narrower than they first appear. Some decisions that feel weighty resolve into very similar outcomes. Completionists chasing every variation will not find the kind of sprawling choice architecture that rewards the fourth run differently from the third. The writing also leans hard into nostalgia as a crutch in places - a few scenes coast on the "remember when" feeling rather than earning their emotional weight through character work alone. That said, for what it is - a short, atmospheric, mechanically modest narrative game about the specific grief of growing up - it works. The 91% positive Steam rating across more than six thousand reviews is not a fluke. It is the kind of game you finish in an evening, think about for a few days, and maybe recommend to someone who was in high school around 2008. Just do not expect BG3-level branching consequences from a solo dev project built around a fake social network. Monika, Scout Team