Derpy Conga

I went into Derpy Conga expecting a lightweight, forgettable afternoon. What I found instead was a small, genuinely original idea that Giant Door - working on their first project - committed to fully, rough corners and all. You play as a yellow alien who discovers a meteor hurtling toward home, and the only way to save everyone is to travel world to world, grabbing each creature you find by the hand and pulling them into an ever-growing conga line. It sounds absurd. It is absurd. And for stretches, it is genuinely lovely. The core mechanic is where the design earns its keep. There are four creature types that unlock over the course of the game: one built for traversal, one that can push heavy objects, one that catches fire to interact with flint walls and campfire puzzles, and one that can float. You control the yellow aliens directly, so how you arrange the line matters - putting a fire creature at the tail end when you need it at the front is a real strategic headache worth thinking through. The line can also be shaped into a circle, which stabilizes movement and lets you lift and drag objects, creating a separate physical vocabulary that the puzzles lean into thoughtfully. Each world introduces new wrinkles: pressure pads that need bodies positioned just so, sandpit sketching with boulders, torch-lighting sequences that demand speed. The variety holds up across the roughly four-hour runtime, and that is a runtime the game respects - it ends before overstaying its welcome. The soundtrack deserves a specific mention. It layers dynamically as your conga line grows longer, adding instruments and texture the more friends you collect. It is a small touch, but it gives the game a genuine sense of world-building through sound rather than cutscenes. The creature animations - little squeaks, hand-reaching animations, the joyful clap when the line connects - carry real warmth. This is a studio that clearly cared about how the thing felt to look at. The places where Derpy Conga struggles are real enough to call out plainly. Control looseness is not incidental - it is structural, baked into the physics model, and while the friction is intentional in the same way that similar wobbly-physics games lean into chaos, it tips from fun chaos into genuine frustration more than once, especially in timed sequences where you need to set a creature alight and sprint to an objective before the flame dies. Camera angles fight you occasionally, and a known interaction bug - creatures refusing to grab hands or interact with objects - can bring progress to a halt. The community workaround of a "leap of faith" into water to reset creature states is functional but should not be necessary. Co-op via split screen, which merges into a single camera when the two lines connect, is the most forgiving context for all of this. Solo play asks more patience. For a couch co-op session with low-stakes friends who enjoy physics-adjacent nonsense, Derpy Conga hits a specific frequency that few other games try to occupy. Solo, it is a shorter, sometimes pricklier experience - still worthwhile for anyone drawn to the creature design or the layered soundtrack, but worth going in with calibrated expectations. Giant Door built something unusual here, and unusual counts for something. Kai, Scout Team

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