Cursed Blood

My first run through Cursed Blood ended with a poorly-timed block, blood coating the entire screen, and a mafia rat standing over my corpse. I immediately queued another. That loop is the whole pitch, and for a solo developer-scale project still in Early Access, it lands more often than it fumbles. The studio behind this is David Marquardt Studios, the same small outfit that put out Dust & Neon, so there is genuine pedigree here. The setting is a "bloodpunk" world where industrial machinery fuses with forbidden blood-powered technology, and your four playable samurai ape characters carve through it from a top-down isometric perspective. Combat chains together quick-fire slashes, charged attacks, deflects, and finishers - and crucially, finishing off downed enemies restores health, which makes aggression feel purposeful rather than reckless. Each katana carries its own perk and playstyle weighting, and the run-to-run variety comes from randomised upgrade pots, World Mutations that shift the rules wholesale, and the Damned Obelisk system. The Obelisks are the standout mechanic: interact with one and claim a reward - gold, health, or curse removal - but accept a new curse in return. Curses stack in interesting ways, some raising shop prices, some shaving health, and the decision of when to purge them versus when to stomach the penalty quietly shapes every run. The whole thing moves at a pace that rewards a kind of controlled aggression rather than the methodical patience of something like Hades. The co-op side works seamlessly across online and local play, and the multi-stage bosses are noticeably more manageable with a partner splitting enemy aggro. Solo is absolutely viable but the difficulty spike on anything above the base Blood Mark setting gets steep fast, and the community has noted that meta-progression between runs feels thin right now - weapon unlocks require blood orb grinding over many runs, and there is no permanent character-strengthening loop yet to soften the climb. That is the honest Early Access caveat: the foundation is tight, but the outer scaffolding is still being built. The rougher notes are real. Camera control is fixed and occasionally hides enemies behind environmental geometry. The blood splatter that covers the screen - atmospheric as it is - genuinely obscures blocking windows, which becomes a problem when the parry timing is already strict. Performance can hitch under heavy co-op chaos. Ranged combat is present but clumsy without twin-stick aiming. None of these are dealbreakers for players comfortable with unfinished builds, but they are friction points worth knowing about before committing. What Cursed Blood gets right is harder to fake: the combat feel. Movement is quick, the hit feedback is crunchy, and the stylised world has an atmosphere that punches above the studio's size. The music shifts dynamically in and out of combat, the environments have real texture - breakable objects, loot chests tucked in corners, exploding barrels scattered through grimy docks - and the whole aesthetic holds together with conviction. It is a game that knows what it wants to be. Whether the Early Access runway gets it fully there is the open question. Kai, Scout Team