Cosmic Top Secret

I came into this one knowing almost nothing, and that turned out to be exactly the right way to arrive. Cosmic Top Secret is the work of Danish filmmaker Trine Laier, who spent years recording conversations with her parents about their time inside the Danish Defence Intelligence Service during the Cold War, then turned the whole investigation into an interactive autobiography. The result is genuinely unlike anything else on PC right now: a 3D collect-a-thon built from paper cutouts, cardboard terrain, and lo-fi footage that looks like an animated scrapbook brought to life, somewhere between a Monty Python sketch and a child's diorama of adult secrets. The core loop across the game's six levels is simple by design. You roll Agent T through open maps as a crumpled paper ball, flick her into the air, fly a cardboard plane, throw smoke grenades to knock down obstacles and mark your map, and collect roughly 400 pieces of intel scattered across each stage. End-of-level code puzzles ask you to actually pay attention to what you have gathered, decoding sequences using the real-world spy tradecraft woven into the dossier. It is a genuinely light gameplay ask, and reviewers are split on whether that is a flaw or a feature. My read: it is entirely intentional. The interactivity exists to make you the investigator rather than a passive viewer, and the moment-to-moment tactility of rolling through these strange cardboard worlds is just enough to keep your hands busy while the real content, real interview audio with T's parents, lo-fi phone recordings, Cold War-era documents with actual security clearance granted by Danish Intelligence, quietly dismantles you. Where the game earns its warmth is in what sits underneath the espionage layer. The spy history, fascinating as it is, turns out not to be the deepest secret. What slowly surfaces is something more personal, about parents as fallible humans, about growing up in the shadow of classified lives, about a daughter pressing for answers from a father who legally cannot give them. The two narrative threads, history and family, pull against each other in a way that no documentary format could quite replicate, because here you are the one doing the pulling. The honest weaknesses are real and worth naming. Controls are consistently described as finicky: the paper-ball movement catches on corners, jumping is imprecise in the later stages, and the camera occasionally refuses to cooperate. Some levels, particularly the fourth, lean on a perspective-swap mechanic that toggles between black and white screens, contributing more visual fatigue than intrigue. A handful of scenes feel like padding, documentary material that could have been trimmed without hurting the pace. The audio, all recorded in genuine interview conditions, varies wildly in fidelity because most of it was captured on a phone whenever the opportunity arose. If you are coming for mechanical satisfaction, you will leave disappointed. If you are coming for a five-hour experience that feels like reading your family's classified file, you will stay until the credits. This is the kind of small, handcrafted game that wins an IDFA DocLab storytelling award and then quietly disappears from most people's radars. It rewards curiosity, patience, and a willingness to sit with something genuinely odd. Not for reflex-driven players, not for anyone who needs a challenge curve. Absolutely for anyone who has ever wondered what their parents were really doing while history was happening around them. Kai, Scout Team